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>> Download Purity of Blood (Captain Alatriste), by Arturo Perez-Reverte

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Purity of Blood (Captain Alatriste), by Arturo Perez-Reverte

Arturo Perez-Reverte is one of the most beloved writers in the world. His bestselling novels, including The Club Dumas and The Queen of the South, have been published in fifty countries and translated into twenty-eight languages. Now, with The Adventures of Captain Alatriste, he delivers a magnificent series, already a million-copy bestseller in Spain, that chronicles the heroic adventures of a seventeenth-century swordsman.

In Purity of Blood, the second novel in the series, the courageous Alatriste is considering rejoining his old regiment to fight in Breda-but his blade leads him to another adventure. A desperate father hires him to rescue his daughter from a convent where a powerful priest is said to be using the girl as his personal concubine. The father has been prevented from legal recourse because the priest has threatened to reveal that the man's family is "not of pure blood"-is, in fact, of Jewish descent -which will all but destroy the family name. Alatriste agrees to help, and several nights later, under the cloak of darkness, a rescue attempt is made.

But soon Alatriste discovers that he has become part of a religious and political conspiracy that leads all the way to the highest levels of the Inquisition. When a date is set to burn the man's daughter at the stake, Captain Alatriste springs into action -sword first-setting off a series of twists and turns that will keep readers riveted to the page.

Translation by Margaret Sayers Peden

  • Sales Rank: #641845 in Books
  • Published on: 2006-01-05
  • Released on: 2006-01-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.07" w x 5.76" l,
  • Binding: Hardcover
  • 267 pages

From Publishers Weekly
Those looking for seriously entertaining thrills will welcome Pérez-Reverte's second 17th-century Spanish swashbuckler featuring the exploits of stoic, honorable Capt. Diego Alatriste (after 2005's Captain Alatriste). A father and two brothers accompany Alatriste on a mission to rescue their sister from the convent in which she has been imprisoned. Things go wrong when an old enemy of the captain ensures that Alatriste's ward, 13-year-old Inigo Balboa, falls into the hands of the Inquisition. With the aid of the great Spanish poet Francisco de Quevedo, all is made right. Rich in historical detail and sardonic observations, the narrative begins leisurely. The pace picks up, but the action is never so breathless as to sweep the reader along, as with Captain Alatriste. Still, this will matter little to fans, who are sure to look forward to further installments in the series. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
In yet another example of our trade deficit, the United States continues to do well by Arturo Pérez-Reverte. His books, The Club Dumas, The Seville Communion, and The Fencing Master, all translated from the Spanish, have gotten quite cozy with our domestic best-seller lists. So last year Putnam launched the Captain Alatriste series, previously published in Pérez-Reverte’s native Spain, with the first volume, Captain Alatriste (**** Selection Sept/Oct 2005). Critics praised this second installment for its taut plotting, sense of place, and old-fashioned derring-do. Good news for fans of the series: three more installments await translation, and the author has committed to rounding it out to a lucky seven titles.

Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
Spanish novelist Perez-Reverte is known the world over for his historical thrillers, and now his earlier five-novel historical-fiction series, the Adventures of Captain Alatriste, all of which were huge best sellers in his native Spain, is being published in the U.S. for the first time, one volume at a time. Captain Alatriste (2005) was the first to appear, and now the second installment makes its American debut. The novels are set in seventeenth-century Spain, centered in the Spanish capital--during the time when the glitter of the Spanish empire was already showing itself to be thin and worn ("the dark, violent, and contradictory Spain of our Catholic king Philip IV"). Captain Diego Alatriste, a veteran of Spain's foreign wars, is currently a sword for hire. On this occasion, in this completely absorbing novel that, like the first one in the series, absolutely defines swashbuckling, he is contracted to help a man from a Jewish-turned-Catholic family rescue his daughter from behind the thick walls of a Madrid convent, which the chaplain "has turned . . . into his private seraglio." This novel is written in the mold of Dumas' musketeer novels and excitingly upholds the tradition. Brad Hooper
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

30 of 32 people found the following review helpful.
A knight without armor in a savage land
By Lonya
4 and 1/2 stars.

"Purity of Blood" is Arturo Pérez-Reverte's exciting sequel to "Captain Alatriste". Written in the swashbuckling style of Dumas and set in early 17th-century Madrid, "Captain Alatriste" introduced us to the hero of Captain Diego Alatriste. Diego is newly returned from Spain's war in Flanders and ready to hire himself out as a bodyguard and general sword-for-hire.

"Purity of Blood" finds Diego on a new adventure. His friend, Don Francisco de Quevado, introduces Diego to an aging father who seeks to rescue his daughter from a convent. The convent is not a place of worship but, rather a place of obscene debauchery overseen by an aristocratic priest with connections at the court of King Phillip IV. The father's attempt to seek the release of his daughter is met with a threat to reveal the family as `conversos' (Catholics who have Jewish blood). Exposure as a converse is a powerful threat in a country in which the forces of the inquisition can imprison torture and burn conversos at the stake.

The story is narrated by Inigo Balboa, Alatriste's young page, in the manner of Dr. Watson's memoirs of Sherlock Holmes. As with any Holmes story, the game is quickly afoot and Alatriste launches a rescue attempt. Alatriste quickly discovers that the best laid plans of mice and swordsmen-for-hire can be beset with complications. Antagonists from his first adventure, particularly the Italian assassin Gualterio Malatesta, return to seek revenge both on Alatriste and Balboa for their actions in "Captain Alatriste".

Pérez-Reverte does an excellent job moving the story along. As one might expect in a series, the character of Alatriste and the other recurring players introduced in Captain Alatriste are fleshed out. Although there is plenty of action in Purity of Blood Pérez-Reverte provides a great deal of period detail about Spain, the inquisition, and daily life in the sometimes sordid and dangerous streets of 17th-century Madrid. Balboa's reflections on Spain's social structure, the vagaries of the reign of Phillip IV, and his discourse on the beginning of Spain's fall from an imperial world power of the first rank to that of a nation marked by dissolution and decay are both entertaining and informative.

Purity of Blood is an excellent story and well worth reading. However, because this is a sequel, and because many of the characters and the relationship among those characters is formed in "Captain Alatriste" I think it advisable for the reader to start with the first book, which has recently been issued in paperback. Both books are well worth reading and Purity of Blood has recently been released in paperback.

Purity of Blood is well worth reading.

L. Fleisig

6 of 6 people found the following review helpful.
An atmospheric swashbuckler
By Lynn Harnett
This second, after "Captain Alatriste," in a projected series of seven by the Spanish best-selling author features Diego Alatriste, a taciturn, brooding 17th century soldier, mercenary and man of honor, and his 13-year-old ward Inigo Balboa in a story as filled with atmosphere as it is action.

The atmosphere is pretty gritty, having mostly to do with the Inquisition and the Madrid underworld of cutthroats, criminals and fugitives of all kinds. Narrated by Balboa some years after the events, the story takes place in 1623. Alatriste accepts a job from a converso family - Jews who converted to Christianity - to rescue their daughter from a convent that is run more like a brothel than a house of God.

But the rescue goes awry and in the ensuing mayhem Balboa is captured by the Inquisition, though not without putting up quite a fight. Thereafter the narrative alternates between Balboa's interrogations and experiences in prison and Alatriste's efforts to find and rescue him while eluding capture himself.

The characters are well fleshed out and Balboa's voice is particularly wry and appealing. Alatriste paints a vivid picture of 17th century Spain and its politics, daily life and dangers. There's plenty of action, though it's more thoughtful than swashbuckling. Not quite at the level of Patrick O'Brian's seafaring adventures, this should appeal to readers who enjoy that level of historical detail and literate writing with their derring-do.

-- Portsmouth Herald

13 of 17 people found the following review helpful.
more 'history' than story in this historical novel
By A. C. Walter
Arturo Perez-Reverte's "Purity of Blood" is second in the Captain Alatriste series of historical adventure novels, currently a 5-volume series of books which began publication in Spain in the mid 1990s. The books follow the adventures of Captain Alatriste and his adolescent protege Inigo Balboa as they swashbuckler their way through 17th-century Spain. The Alatriste books are obviously aimed closer to the commercial market than much of Perez-Reverte's other work, evoking associations as they do with "The Three Musketeers" or Johnston McCulley's Zorro stories. "Purity of Blood" is set against the backdrop of the Spanish Inquisition. During one of Alatriste's adventures, he and his companions fall into a trap and young Inigo--framed as a "Judaizer"--falls afoul of the Inquisition.

The book does have its good moments, such as the scene in which Alatriste, trying to find some way to rescue Inigo, confronts a most powerful politician, a bureaucrat at first disinclined to give them any aid. Pushed to desperation, Alatriste, usually a quiet, stoic man, delivers a monologue in which we see the undeniable potency of melodrama:

"'Excellency. I have nothing but the sword I live by and my record of service, which means nothing to anyone.' The captain spoke very slowly, as if thinking aloud more than addressing the first minister of two worlds. 'Neither am I a man of many words or resources. But they are going to burn an innocent lad whose father, my comrade, died fighting in those wars that are as much the king's as they are yours. Perhaps I, and Lope Balboa, and Balboa's son, do not tip the scale that Your Excellency so rightly mentioned. Yet one never knows what twists and turns life will take, nor whether one day the full reach of a good blade will not be more beneficial than all the papers and all the notaries and all the royal seals in the world. If you help the orphan of one of your soldiers, I give you my word that on such a day you can count on me.'"

Unfortunately, the elements of plot and character in "Purity of Blood" take a seat at the far back of this bus, a bus clearly driven by the story's mise-en-scene. Essentially, the novel is all about its historical milieu--an excuse for the author to recreate the Spanish Inquisition and emphasize the gross anti-Semitism of the era. Thus, the novel comes off sounding more like an anthropology experiment, a modernist morality tale. And the story's meager adventuring suffers for this. The trouble here is very well demonstrated in a line of narrative late in the novel, a line that illuminates Perez-Reverte's racial guilt and his gaudy, off-putting, public self-flagellation: "It seemed that to be lucid and Spanish would forever be coupled with great bitterness and little hope."

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** Free Ebook The Science of Mind Wisdom Cards (Tarcher Inspiration Cards), by Ernest Holmes

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The Science of Mind Wisdom Cards (Tarcher Inspiration Cards), by Ernest Holmes

A beautifully designed deluxe collection of 64 full-color cards that contain the essence and power of Ernest Holmes’s bestselling classic of spiritual psychology, which has transformed the lives of millions.

“Change your thinking, change your life.” With these words, Ernest Holmes created a revolution of spiritual optimism that has changed the lives of millions. These cards contain the most powerful quotes from Holmes's classic work, The Science of Mind, as well as positive affirmations that will create life-changing results.

  • Sales Rank: #558509 in Books
  • Brand: Holmes, Ernest
  • Published on: 2012-09-27
  • Released on: 2012-09-27
  • Original language: English
  • Number of items: 64
  • Dimensions: 5.21" h x 1.09" w x 3.86" l, .60 pounds
  • Binding: Cards
  • 66 pages
Features
  • The Science of Mind: Wisdom Cards (Tarcher Inspiration Cards)

About the Author
Ernest Holmes (1887 – 1960) was the founder of the worldwide Religious Science Movement. A uniquely gifted scholar with a vast command of the world’s spiritual philosophies, his magnum opus, The Science of Mind, has been in continuous print since 1926. Other inspirational works include Creative Mind, This Thing Called You, The Art of Life, Creative Mind and Success, Love and Law, The Hidden Power of the Bible, and many others.

Most helpful customer reviews

13 of 14 people found the following review helpful.
Ernest Holmes at his best
By Myriam
I actively study Science of Mind and find these cards to be a quick "lift me up" inspiration. The cards are well made and packabed beautifully. Great for a gift.

8 of 8 people found the following review helpful.
These are great cards, card stock is a little thin and harder to shuffle
By Sandra
If you cast cards it is a bit difficult with these because they are medium weight and not shiny. If you just use them for a card a day or something they are terrific. The affirmations and ideas on these cards are very spiritual and uplifting. I bought them as a gift for a friend who belongs to the Science of Mind church: he's very pleased with them. They are a nice every day reminder of concern for a friend.

10 of 11 people found the following review helpful.
Teaching Tools
By Rhonda Tretsven
Being a Practitioner and Ministerial student of Religious Science I loved the quotes. I am using them in class to inspire students. Cards are always helpful to make things more interesting and engaging!

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** Get Free Ebook Zeus Grants Stupid Wishes: A No-Bullshit Guide to World Mythology, by Cory O'Brien

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Zeus Grants Stupid Wishes: A No-Bullshit Guide to World Mythology, by Cory O'Brien

Get this:

Cronus liked to eat babies.

Narcissus probably should have just learned to masturbate.

Odin got construction discounts with bestiality.

Isis had bad taste in jewelry.

Ganesh was the very definition of an unplanned pregnancy.

And Abraham was totally cool about stabbing his kid in the face.

All our lives, we’ve been fed watered-down, PC versions of the classic myths. In reality, mythology is more screwed up than a schizophrenic shaman doing hits of unidentified…wait, it all makes sense now. In Zeus Grants Stupid Wishes, Cory O’Brien, creator of Myths RETOLD!, sets the stories straight. These are rude, crude, totally sacred texts told the way they were meant to be told: loudly, and with lots of four-letter words.

Skeptical? Here are a few more gems to consider:

• Zeus once stuffed an unborn fetus inside his thigh to save its life after he exploded its mother by being too good in bed.

• The entire Egyptian universe was saved because Sekhmet just got too hammered to keep murdering everyone.

• The Hindu universe is run by a married couple who only stop murdering in order to throw sweet dance parties…on the corpses of their enemies.

• The Norse goddess Freyja once consented to a four-dwarf gangbang in exchange for one shiny necklace.

And there’s more dysfunctional goodness where that came from.

  • Sales Rank: #1502 in Books
  • Brand: O'brien, Cory/ Melville, Sarah E. (ILT)
  • Published on: 2013-03-05
  • Released on: 2013-03-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.98" h x .63" w x 4.46" l, .50 pounds
  • Binding: Paperback
  • 304 pages

About the Author
Cory O’Brien is a dude who likes myths a whole lot. When he’s not writing about myths, he is usually yelling them at people in bars or posting them on his website, bettermyths.com. He is currently in the MFA program in writing at the School of the Art Institute of Chicago. Also, birds really freak him out

Most helpful customer reviews

49 of 49 people found the following review helpful.
Fair Warning
By Tarkabarka
Don't read this book in the bathtub, your roommate will think you are choking on something and she'll burst in and see that you are tearing up and think you have been dumped. It's gonna be really awkward.
Definitely read it somewhere else in the house, though. Or on the subway if you don't mint people watching you giggle.

17 of 17 people found the following review helpful.
Fresh, sassy, and brilliant
By Nibrocla
Cory O'Brien is getting it right: his updates to world mythological tales are very funny, totally comprehensible (unlike some of the original versions), sexy enough to make them occasionally NSFW, written in a vernacular that will offend some but totally delight most, and more than anything, makes it clear that mankind does try to figure out how to explain s*&t that happens, and that the explanations take much the same arc regardless of culture. This book should be required reading in every single mythology and classics class in the country. Bravo!

13 of 13 people found the following review helpful.
Pure Genius!!!
By S. Lehnert
No really, this is the most epic of books I've ever read. I laughed myself into an asthma attack it was so awesome. It puts a new perspective on a great subject and gives these myths an edgier more modern spin. Plus, the lessons learned at the end of each myth is priceless. I highly recommend this to anyone with a sense of humor and a passion for mythology.

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Minggu, 28 Desember 2014

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This 'N That, by Bette Davis, Michael Herskowitz

The author recounts how she recovered from a mastectomy and a stroke, shares her feelings about her daughter's book about her, and discusses the latter part of her long successful film career.

  • Sales Rank: #340560 in Books
  • Published on: 1987-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.10" h x 6.30" w x 9.10" l,
  • Binding: Hardcover
  • 207 pages

From Library Journal
This autobiographical potpourri by one of the screen's most renowned actresses begins in 1983 with Davis's mastectomy and stroke. From there her recovery is chronicled, along with flashbacks and observations of her long career and often turbulent personal life. She is direct and never self-effacing in retelling her story; and even this hodge-podge of a book is pure Davis, as her fans know her on screen and off. The book ends with an open letter to her daughter, B. D. Hyman, in reply to the latter's book, My Mother's Keeper. A good purchase for all film collections. (Photos not seen.) Virginia A. Doser, Saddleback Coll. Lib., Mission Viejo, Cal.
Copyright 1987 Reed Business Information, Inc.

Most helpful customer reviews

64 of 67 people found the following review helpful.
Entertaining Read by the great Bette Davis
By Amazon Customer
SO glad that Bette Davis stepped forward and defended herself after he daughter's APALLING book. And what a fun read! I couldn't put it down. As far as "My Mother's Keeper" goes,

Shame on you, B.D. Hyman.

B.D. Hyman would like to come off as a victim who doesn't have any flaws, but her book about her mother, Bette Davis, has the opposite affect. B.D. Hyman comes of as a spoiled rotten, selfish, cold-hearted, and mean teenager and then woman, who has no tolerance for other people and their flaws.

So Bette Davis was a dramatic women, eh? What a shocker. It took her way too long to make Stouffers Macaroni & Cheese for you when you came over? How terrible. She got frustrated carving a chicken and ripped the meat apart with her hands? How obscene. She was irritated her 16 year old daughter wanted to spend their entire vacation in Europe with a 30 year old man? How dreadful. She sent a doctor over to see you when you were sick? What a witch. She spanked your son and put him in his room when she was baby-sitting him? How appalling. Your mother was eccentric? What a BOMBSHELL. She thought you were completely perfect and flawless? What a crime. She wanted you to say thank you when she brought you lobster from Maine? How very dreadful, and what a horrifying life you must have had.

It is clear from this book that Bette Davis had lots of faults. We all do. But none of them could be considered child abuse. And most of us don't have our faults written about extensively for all the world to see, in a fictional, exaggerated novel.

Poor Bette Davis, may she rest in peace. What a thing to have happen to you in your old age. She probably never recovered.

16 of 16 people found the following review helpful.
Bette Davis Tells Her Story - Part II
By D. E. Keith
Bette Davis tells the second half of her own story close to the end of her life. She tells the difficult story of her battle with breast cancer, multiple strokes and her valiant fight to comeback to acting in films - which was her life blood. She also responds her daughter's trashy book. It's Bette at her finest hour, gutsy and proud. Michael Herskowitz did a great job at assisting Miss Davis with this effort. I could not put it down.

22 of 24 people found the following review helpful.
Good book - great woman
By B. Davis
I was not a fan of Bette Davis until I saw her being interviewed by Dick Cavett in 1972. The Dick Cavett Show - Hollywood Greats The second she walks on stage you know you are in for a collossal treat. I have watched it over and over. That is what made me a fan and prompted me to get this book (and fill my Netflix queue with Bette Davis movies). I found the book to be very entertaining and loved the letters concerning and reviews about her daughter's hideous back-stabbing stunt at the very end. I think if you are a fan of Bette Davis that you would enjoy this book.

See all 49 customer reviews...

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McNally's Trial, by Lawrence Sanders

At the request of the nubile treasurer of a posh funeral home, Archy McNally and his partner, Binky Watrous, investigate suspicious goings-on and uncover family scandal, criminal conspiracy, business intrigue, and other sinister surprises. 175,000 first printing. $100,000 ad/promo.

  • Sales Rank: #861293 in Books
  • Published on: 1995-01-01
  • Released on: 1995-02-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.30" h x 1.26" w x 9.32" l,
  • Binding: Hardcover
  • 309 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Rhonda Burton
Love this series and I continue through the saga of Archy McNally with great pleasure.

0 of 0 people found the following review helpful.
Great Reading
By Carlyta M. Smith
All these books a great reads. Very hard to put down. One of my favorite authors.

6 of 6 people found the following review helpful.
Trial With Style. Tuxedo on a Moonlit Beach. A Beacon to The Art of Film.
By Linda G. Shelnutt
In this 5th offering in the original 7 McNally novels, Lawrence Sanders did not entre nous with a deuce of sexual objects entwined in ecstasy (one of whom, or of which, would be Archy); nor did he entre nous with Peaches' cat vomit on Archy's lavender suede shoe; nor did he open Archy's saga with an angry slap on his cheek (face, not rear) from a future sexual success. For his reader partner, Sanders opened this tale, with Archy as narrator, thus(ly):

>> It has been said that no good deed goes unpunished, and I can vouch for it. The donee of my act of charity was Binky Watrous, a close pal of mine and a complete doofus who once, deranged by strong drink, brushed his teeth with anchovy paste.

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Death In Paradise (Jesse Stone Novels), by Robert B. Parker

"With all the authority of a bone-crunching fist, Robert B. Parker is back with another breezy detective novel that mystery fans will find as satisfying as a juicy prime rib at Peter Luger." (New York Post)

The Paradise Men's Softball League has wrapped up another game, and Jesse Stone is lingering in the parking lot with his teammates, drinking beer, swapping stories of double plays and beautiful women in the late-summer twilight. But then a frightened voice calls out to him from the edge of a nearby lake. There, two men squat at the water's edge. In front of them, facedown, was something that used to be a girl.

The local cops haven't seen anything like this, but Jesse's L.A. past has made him all too familiar with floaters. This girl hadn't committed suicide; she hadn't been drowned: she'd been shot and dumped, discarded like trash. Before long it becomes clear that she had a taste for the wild life; and her own parents can't be bothered to report her missing, or even admit that she once was a child of theirs. All Jesse has to go on is a young man's school ring on a gold chain, and a hunch or two.

Filled with magnetic characters and the muscular writing that are Parker's trademarks, Death in Paradise is a storytelling masterpiece.

  • Sales Rank: #382251 in Books
  • Brand: Brand: G. P. Putnam's Sons
  • Published on: 2001-10-01
  • Released on: 2001-10-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.34" h x 1.36" w x 6.38" l,
  • Binding: Hardcover
  • 320 pages

Amazon.com Review
With assured confidence and a master's economy of means, Robert B. Parker, who is best known for his Spenser series, delivers one of his finest, most absorbing works yet. This third entry in the Jesse Stone series finds Stone--a former LAPD cop fired for drinking on the job--serving as chief of police in the town of Paradise, Massachusetts, and investigating the murder of a teenaged girl whose decomposed body turns up in the local lake. As he follows slender threads of evidence into an ugly world of exploited teens, several subplots crisscross, keeping things lively.

But Jesse's struggle with alcohol and his loving, troubled relationship with his ex-wife are at least as compelling as the external plot events. Parker doesn't usually give his characters much of an inner life, but here--in deftly compressed prose, much of it dialog--he paints an understated, believable portrait of a tough guy grappling with tough issues. This smooth-reading book goes down easy but packs a surprising wallop. --Nicholas H. Allison

From Publishers Weekly
Melancholy shadows this third, beautifully wrought Jesse Stone mystery; rarely if ever has Parker's fiction conveyed with such solemn intensity the challenge of living a good life in a world of sin. Jesse, erstwhile drunk and now sheriff of small-town Paradise, Mass., tackles two criminal and two personal mysteries here: the murder of a teenage girl found shot dead in a local lake, and the chronic beating of a local wife by her husband; the conundrum of Jesse's attraction to alcohol, and the mess of his love life, shaped by his dependence upon his estranged wife but encompassing a highly sexed affair with a school principal. The search for the identity and the killer of the girl brings Jesse, as such investigations traditionally do, into the realm of high society the prime suspect is a bestselling writer but also to the mean streets of Boston, where the sheriff parries with Gino Fish and Vinnie Morris (outlaws borrowed from the Spenser series). Dogged police work, a hot-to-trot wife, child prostitutes, the solace of baseball, hard-guy banter these and more classic elements inform and bolster this immensely satisfying tale. As usual with Parker these days, though, the book's ultimate pleasure lies in the words, suffused with a tough compassion won only through years of living, presented in prose whose impeccability speaks of decades of careful writing. (Oct.)Forecast: This is Parker's third outstanding novel of the year, after Potshot and Gunman's Rhapsody. To promote it, he plans a vigorous author tour. Expect high interest and sales.

Copyright 2001 Cahners Business Information, Inc.

From School Library Journal
Parker here gives Jesse Stone his third case (after Night Passage and Trouble in Paradise), which involves the murder of a prodigal daughter and hardly any clues.
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Stone turned
By Tea Tosser
Stone gets the murder solved. Meets some interesting and some disgusting characters along the way. Usual twists and turns and insight into love and, marriage and things going wrong.

0 of 0 people found the following review helpful.
I am fond of Jesse Stone, a flawed, ...
By Forrest Dinwiddie
I am fond of Jesse Stone, a flawed, complicated man. In the end, he is strong, courageous, and composed in the face of danger. Others underestimate the man to their detriment.

0 of 0 people found the following review helpful.
The book is right on the mark in regard to ...
By e.engin
The book is right on the mark in regard to continuing the personality, honesty and the weakness of the main character, Jesse Stone.

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  • Sales Rank: #4347523 in Books
  • Published on: 1986
  • Binding: Hardcover
  • 192 pages

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San Francisco, September 1921: Silent-screen comedy star Roscoe "Fatty" Arbuckle is throwing a wild party in his suite at the St. Francis Hotel: girls, jazz, bootleg hooch . . . and a dead actress named Virginia Rappe. The D.A. says it was Arbuckle who killed her – crushing her under his weight – and brings him up on manslaughter charges. William Randolph Hearst’s newspapers stir up the public and demand a guilty verdict. But what really happened? Why do so many people at the party seem to have stories that conflict? Why is the prosecution hiding witnesses? Why are there body parts missing from the autopsied corpse? Why is Hearst so determined to see Arbuckle convicted? In desperation, Arbuckle’s defense team hires a Pinkerton agent to do an investigation of his own and, they hope, discover the truth. The agent’s name is Dashiell Hammett, the book’s narrator. What he discovers will change American legal history – and his own life – forever.

  • Sales Rank: #1508534 in Books
  • Published on: 2009-04-02
  • Released on: 2009-04-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.32" h x 1.38" w x 6.32" l, 1.25 pounds
  • Binding: Hardcover
  • 368 pages

Amazon.com Review

Amazon Exclusive: Megan Abbott Reviews Devil's Garden

Megan Abbott is the Edgar®-winning author of the crime novels Queenpin, The Song is You and Die a Little. Her new novel, Bury Me Deep, which is loosely based on the Winnie Ruth Judd "Trunk Murderess" scandal of the 1930s, comes out in July 2009. She lives in Queens, New York.

One might call it bold or even arrogant. An author takes on not only one of the most storied scandals of the 20th century as his subject of his new novel but, at the same time, deploys one of America's most celebrated writers as one of its central characters. That is precisely what Ace Atkins does in his new novel, Devil's Garden, a giddy, swaggering take on the Fatty Arbuckle trial, with a young detective named Dashiell Hammett navigating the scandal’s heady convolutions. But you need only get through the dreamy, haunted prologue—based on Hammett's famous account of being offered money to murder a union leader—to realize that Atkins’s choices are not driven by arrogance at all. Devil's Garden is an act of love.

From frothy show girls to sly-eyed grifters, from machinating hangers-on to Arbuckle himself, so shocked by the speed and cruelty of his descent he can barely lift his head up—all of Atkins' characters are treated with wit, understanding and, frequently, clear-eyed affection. While we see repeated glimmers of the Hammett to come, Atkins never lets the story, or the prose, slip into hardboiled kitsch or winking parody. Nor does he let any reverence cloud his vision. Many of characters that populate Devil's Garden feel like they could emerge, gin-clouded and blood-simple, in Hammett's Red Harvest or The Glass Key, but we can see why: they are so clearly the figures that inspired him. While it tips its hat to Hammett’s world, Devil's Garden caroms along with a style and velocity all its own.

A marvelous extension of Atkins' fascination (White Shadow, Wicked City) with the cunning and often cruel ways that hustlers high and low, board room and back alley, manipulate power, Devil's Garden revels in contradictions—it is both sprawling and intimate, rollicking and poignant. The novel begins on Labor Day weekend, 1921, when beloved screen comic Roscoe "Fatty" Arbuckle threw a wild party in a suite at San Francisco’s St. Francis Hotel. One of his guests, a young woman named Virginia Rappe, fell ill and died shortly after from peritonitis brought on by a ruptured bladder. As the story took on momentum and news headlines screamed, Arbuckle himself faced criminal indictment. Newspaper tycoon William Randolph Hearst reputedly boasted that the scandal sold more papers than the sinking of the Lusitania.

The fact that pre-Maltese Falcon Dashiell Hammett was one of the Pinkerton detectives assigned to the Arbuckle case is pure literary gold and Atkins’s mines it with great care. His Hammett feels real, a raw-boned young man with a sharp eye and a writer’s gimlet eye and beating heart. He is our trusty guide through a seamy tour through the worlds of yellow journalism, backroom politics and the merry band of hucksters, thieves and B girls who circle around Arbuckle’s downfall, picking pockets along the way. As big as the scandal grows, and as larger-than-life as Atkins’s characters (William Randolph Heart, Marion Davies, Arbuckle himself) are, they never feel anything less than human, petty, troubled, heartbroken, real. It’s quite an achievement.

Late in the novel, Atkins gives us a scene of Arbuckle and his wife, actress Minta Durfee, at the piano playing old songs from their journeymen showbiz days, singing as loud as they can until the windows of their soon-to-be-lost mansion shake. It’s the kind of moment that lingers. You have the feeling, as you do so often when you’re reading Devil’s Garden, of watching some shuddery lost Jazz-Age film. It's as glittery and jubilant as New Year's Eve noisemaker one minute, but the next, one of those haunting silent-movie faces loom out at us, telling us their whole, sad stories with just a twitch of the mouth, a flicker in the eye.

(Photo © Joshua Gaylord)

From Publishers Weekly
Starred Review. The 1921 rape/manslaughter trial of silent film star Roscoe Fatty Arbuckle provides the gritty backdrop for Atkins's outstanding crime novel, in which Dashiell Hammett, then a Pinkerton operative living in San Francisco, plays a significant role. A wild party Arbuckle throws at San Francisco's posh St. Francis Hotel results in tragedy after an actress, Virginia Rappe, is mysteriously injured and later dies. As the author explains in a behind the story introduction, the future creator of Sam Spade was actually assigned to help the defense on the Arbuckle case. With enviable ease, Atkins (Wicked City) brings to life Hammett, Arbuckle, William Randolph Hearst and other real figures of the period. Those familiar with the historical case will be impressed by how well the book meshes fact and fiction. Genre fans who enjoy the grim realism of James Ellroy's post-WWII Los Angeles will find a lot to like in Atkins's Prohibition-era San Francisco. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Atkins follows White Shadow (2006) and Wicked City (2008), both based on real-life murders in the 1950s, with another historical thriller, but this time he turns the clock back to 1920s San Francisco and perhaps the city’s most famous scandal: the death of minor actress Virgina Rappe and the subsequent murder trial of Hollywood star Fatty Arbuckle. One of the Pinkerton detectives hired by Arbuckle’s lawyer to investigate the case was a tubercular World War I vet and would-be writer named Dashiell Hammett. Atkins makes Hammett the hero of his Arbuckle story, and the strategy works superbly, allowing him to incorporate speculation on Arbuckle’s role in Rappe’s death into the ever-fascinating story of Hammett’s career as a real-life detective. As in his earlier historical novels, Atkins again proves a meticulous researcher, but here he does an even better job of melding that research into a lively, atmospheric narrative. Both Hammett and Arbuckle emerge as multidimensional, appealing characters, and Atkins’ version of what happened at Fatty’s wild party in the St. Francis Hotel has the ring of truth. --Bill Ott

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0 of 0 people found the following review helpful.
great read, the power of the press - in ...
By Phil Scales
great read, the power of the press - in this day and age anybody can destroy another or be destroyed the digital way.

0 of 0 people found the following review helpful.
Ace at early best.
By G-dub
Well researched and a great read.

21 of 22 people found the following review helpful.
Literary, historical detective fiction
By MadLibsAreFun
Dashiell Hammett investigating the first-ever celebrity murder trial on the foggy streets of San Francisco, a silent-film star hounded in the newspapers by William Randolph Hearst himself -- Ace Atkins knows how to make historical fiction out of a hard-boiled detective story.
Roscoe "Fatty" Arbuckle was roaring through the '20s with plenty of showgirls and hooch when he pajama-partied a little too much and a starlet got dead. At the time, Hammett was a Pinkerton operative hired to find witnesses whom prosecutors were hiding. Hearst, of course, deployed his yellow-journalism reporters to crucify the "portly beast" Arbuckle. (Chris Farley wanted to play Fatty in a movie, and it would have been a match, because Arbuckle was a self-loathing porker with a gift for making people laugh and no desire ever to grow up.)
Ace Atkins -- yeah, that's really his name -- writes cinematically: Short scenes with clever "buttons" alternate with long swaths of snappy dialogue. One flimflam man, for example, describes another as "a phony bird. That's halfway between crazy and a con man, and that's the middle of the road, brother."
Hammett -- he was "Sam" then, back before his Dashiell days -- tails tricksters and crooks into ornate hotel lobbies and up San Francisco's hills, wheezing with the effort and pausing to spit blood into his handkerchief. While some good-hearted folks appear -- Sam's first wife, one of the Pinkertons, a snitch named Pete the Fink -- the speakeasies and courtrooms of The City are filled by people with their hands out, thumbing their noses at what passes for an upright legal system.
Atkins works too hard at blackening Hearst's character in the epilogue, but Devil's Garden still rises far beyond pulp fiction to a much higher level. The three central characters -- Sam, Fatty and W.R. -- are all blameworthy, all filled with shame but unwilling to do much about it. In Atkins' world, prudes are really grifters, a power broker is just a little boy, a legal case is like a melodrama and a scalawag can be a stand-up guy. There aren't many moralistic blacks and whites in Devil's Garden -- just a lot of grays, melting off into that San Francisco fog.

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Senin, 22 Desember 2014

>> Ebook The Genius, by Jesse Kellerman

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The Genius, by Jesse Kellerman

A tenant has disappeared in a New York slum, leaving behind strange, original artwork. Gallery owner Ethan Muller can see its brilliance?and money-making potential. When Ethan displays the art, the show attracts the attention of the police. Because the subjects of the pictures look exactly like the victims in a long-cold murder case. Ethan has received a letter saying "stop, stop, stop." And the still-missing genius may be the link to a madman?or the madman himself.

  • Sales Rank: #1960878 in Books
  • Published on: 2008-04-10
  • Released on: 2008-04-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.24" h x 6.52" w x 9.32" l, 1.10 pounds
  • Binding: Hardcover
  • 384 pages

Amazon.com Review
Harlan Coben on The Genius
Harlan Coben is one of the virtuosos of the modern thriller. Each new novel hits the top of bestseller lists across the world, and he has become the first author to sweep the Edgar, Shamus, and Anthony awards. Beginning with his acclaimed Myron Bolitar series (including the recent Promise Me), Coben soon branched out into stand-alone thrillers that have made his name as a master of clockwork suspense, including his latest, Hold Tight, which brings his trademark thrills into the most basic dilemmas of the modern suburban family.

"In the beginning, I behaved badly."

That’s how the uber-talented Jesse Kellerman opens up his newest novel, The Genius, and right away, he has you.

I won’t give you a long plot summary because others will do it better, but briefly: A young art dealer named Ethan Muller manages to get hold of a treasure trove of original art after the artist, an unknown shut-in named Victor Cracke, disappears. The first sign of trouble crops up when a retired cop recognizes one of the figures as being a boy who died some 40 years earlier. Ethan's life spirals out of control from there. Before the story is over, Ethan will learn to question everything about his "wonderful" discovery--as well as his own family's destiny.

Yes, the book is gripping and compelling and Ethan Muller, the narrator, is wonderfully wry company, but what truly separates Kellerman from the pack is his prose. Simply put, he is a wonderful writer. He has the ability to make everything seem, well, true. Every scene has that ring of authenticity that’s so elusive in fiction. I bought everything that Ethan did--and loved the flashbacks showing how the Muller family went from poor immigrants to real-estate tycoons.

I love books where past crimes will not stay buried. The web of deceit in The Genius stretches back four decades, but it is still claiming victims. Jesse Kellerman tightens the noose slowly, and we his readers can do nothing but turn the pages.

I have been a fan since his debut, Sunstroke, but he's getting better and better. If you've already read Jesse Kellerman, don't waste anymore time reading this review. If you haven't yet discovered his work, The Genius is the place to begin--and not a bad description of the author.

From Publishers Weekly
Starred Review. Greed gets Ethan Muller, a 33-year-old Manhattan art dealer, into hot water in Kellerman's superb third stand-alone thriller (after Trouble). When reclusive artist Victor Cracke disappears, Muller winds up taking possession of the boxes and boxes of intense, disturbing drawings that Cracke left behind in his shabby Queens apartment. A favorable New York Times article helps fuel lucrative sales at an exhibit of Cracke's drawings at Muller's Chelsea gallery. Soon, though, Muller starts to receive cryptic, vaguely threatening letters. He also hears from a retired NYPD detective, Lee McGrath, who recognizes the face of one of the boys in a Cracke drawing as belonging to the victim of a 40-year-old unsolved murder. That revelation turns Muller into an amateur detective as he attempts to discover how the dead boy's image—along with those of several other victims—made its way into the pictures. Kellerman has a gift for creating compelling characters as well as for crafting an ingenious plot that grabs the reader and refuses to let go. Author tour. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Ethan Muller owns an art gallery in Manhattan’s Chelsea; in his world, he’s successful and connected. He acquires a treasure trove of many thousands of phantasmagoric, interlocking drawings created by a recluse who appears to have vanished. Ethan mounts a show that wows the art world, and then a retired NYPD detective tells him that the “cherubs” that form the drawings’ center are the faces of boys murdered some 40 years before, crimes that were never solved. Ethan is drawn into the detective’s search for the killer, and the resolution of the mystery is closer to home than he can imagine. From its first hip, cynical, snarky, confessional pages, this deftly plotted novel rivets the reader. It’s a mystery, but like the best crime fiction, it is much more. It’s a family saga of penniless German Jewish immigrants whose toil and determination make them American royals. It’s a meditation on loneliness, genius, and the line between genius and madness. And it’s a knowing, ironic, and at times, howlingly funny take on the art world. Kellerman, son of best-selling authors Jonathan and Faye, is a playwright, and he has a playwright’s gift for creating fully fleshed, complex characters with distinctive voices. A must-buy. --Thomas Gaughan

Most helpful customer reviews

29 of 30 people found the following review helpful.
This Novel is Really Terrific
By Thriller Lover
THE GENIUS is a very impressive effort by Jesse Kellerman. This book is a highly effective suspense novel, but the quality of the prose is strong enough to satisfy most fans of literary fiction. I read a lot of suspense fiction, and this is one of the best novels I've read this year.

The main character of THE GENIUS is a young, struggling art dealer named Ethan Muller. The novel opens with Muller discovering a large trove of artwork by an unknown, reclusive genius named Victor Cracke. Cracke has disappeared mysteriously, and Muller ends up taking the artwork for himself and his gallery. He mounts a successful show of the artwork, only to discover that Cracke has a hidden, dangerous past -- a past which may involve Muller himself.

THE GENIUS is very well-writen, a genuine literary thriller. Kellerman has matured into a really effective writer, and he does a superb job describing the New York contemporary art scene. All the characterization in this book is first-rate, and the dialogue is sharp and fun. The plot is also gripping, and I kept turning the pages, always interested in what was about to happen next.

The protagonist of this book isn't entirely entirely likable, which may turn off some readers. But if you enjoy the complex characterization of authors like Colin Harrison or Laura Lippman, you will find much to admire in THE GENIUS.

I wasn't a fan of Kellerman's listless first novel, SUNSTROKE, but this novel has converted me. If Kellerman can write novels like THE GENIUS before the age of 30, I can't wait to see what he will be producing over the next decade, as his talent matures even further.

Highly recommended.

25 of 26 people found the following review helpful.
Ambitious effort: More family saga than thriller though
By J. Norburn
I have mixed feelings about this novel. I wasn't terribly impressed by Kellerman's debut novel Sunburn and I really disliked his sophomore effort Trouble. Kellerman's third novel is ambitious. I especially appreciate that it deviates from conventional crime novel formulas. In fact, the solving of a series of 40 year old child murders is secondary. The Genius, first and foremost, is a family saga. At its heart, it's the story of a cold and distant father trying to reconnect with his estranged son.

The catch is that readers who expect action, suspense, and page turning thrills may be disappointed. I admire the fact that Kellerman doesn't make criminal investigation exciting. It's tedious work. There is no `big shoot out' or car chase to pump up the reader's adrenaline. Instead, evidence is collected, an arrest is made. It's pretty routine stuff - just like real life.

Kellerman does a good job with character development. As mentioned before, this is really a character driven family saga, not a plot driven thriller. I admire that Kellerman doesn't feel compelled to make his characters especially likeable. Ethan, our hero, is actually a pretentious self absorbed (insert your own expletive here); certainly not the type of character that an author can build a franchise around. I didn't hate Ethan, but he did grate on my nerves from time to time (notably when he makes a rather whiny phone call to an Assistant DA). The characters in this novel are fully realized imperfect human beings. Unfortunately, they can be a little annoying at times.

Kellerman sets up an intriguing premise (a collection of drawings are discovered in a vacant apartment and when some of the drawings are displayed in a gallery, it is discovered that the drawings include the faces of five murdered children) but by its mid point, the novel starts to lose some of its momentum. From a suspense novel perspective, the novel plods along rather predictably and then resolves itself in rather anticlimactic fashion. While on some level this is admirable, it isn't fully satisfying as entertainment. The family saga portions of the novel (the so-called interludes) are moderately compelling, but not strong enough to raise the novel above a sturdy 3 star rating from me.

I appreciate the effort Kellerman has made with this novel. I suspect that the author may transition soon out of genre fiction as he seems much more interested in exploring characters than building suspense. Definitely his best novel to date. I'd like to see him create a character that doesn't irritate me though.

13 of 14 people found the following review helpful.
A good read-satisfying to the last word!
By DS in SFO
I attended a book signing with Kellerman when this book was introduced. I had not read his prior books
so it was only by chance that I stopped into the bookstore and Jesse Kellerman was there. He was speaking
to the assembled customers about how he was inspired by the Henry Darger case, so I do not think he makes any apologies for that inspiration, but his take on the story is totally different.

Unlike the works of Faye Kellerman and Jonathan Kellerman, who have common characters re-appearing in subsequent novels, Jess Kellerman's main character is more or less the common man who has a very strange experience - then goes back to being a common man, all the wiser.

Not that Ethan Mueller is actually all that common, being the son of a very wealthy man, but he isn't a detective or had any experience with solving a crime.

The story almost reads like a script. Lots of dialog and it drew me into the story immediately. There is so much going on that as I approached the end, I was afraid all the loose ends would not be tied up in the remaining pages. Don't you just hate reading a great book and then it bombs at the end?

"The Genius" doesn't let you down. To the last word, I enjoyed not only the story and the pace but the word selections like getting up from a taxi seat as "pulling away from sticky vinyl" The pace is good, the story is very interesting and I finished reading feeling like it was a very good read.

I am not sure I will read Kellerman's earlier books, since this one was very satisfying and I do think he is probably getting better and better. He mentioned that his publisher wants a book every 12 months, so I will wait for the next one.

Fascinating to hear about how Jesse Kellerman approaches his work. A very bright, disciplined young man - very approachable, and not at all a self-important person. A lot like the humble character in his book.

I am giving this my highest rating because I liked this book...

..and so many best sellers deserve less.

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Minggu, 21 Desember 2014

>> Free PDF Rules of Prey, by John Sandford

Free PDF Rules of Prey, by John Sandford

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Rules of Prey, by John Sandford

#1 New York Times bestselling author John Sandford's “haunting, unforgettable, ice-blooded thriller”* that introduced Lucas Davenport...
 
The killer was mad but brilliant.
 
He left notes with every woman he killed. Rules of murder: Never have a motive. Never follow a discernible pattern. Never carry a weapon after it has been used...So many rules to his sick, violent games of death.
 
But Lucas Davenport, the cop who’s out to get him, isn’t playing by the rules.


“Terrifying...Sandford has crafted the kind of trimmed-to-the-bone thriller that is hard to put down…scary...intriguing...unpredictable.”—Chicago Tribune
 
“Rules of Prey is so chilling that you’re almost afraid to turn the pages. So mesmerizing you cannot stop...A crackle of surprises.”—*Carl Hiaasen

“Sleek and nasty...A big scary, suspenseful read, and I loved every minute of it.”—Stephen King

“A cop and a killer you will remember for a long, long time.”—Robert B. Parker

  • Sales Rank: #120661 in Books
  • Brand: G. P. Putnam's Sons
  • Published on: 1989-07-24
  • Released on: 1989-07-24
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.84" h x .20" w x 7.16" l,
  • Binding: Hardcover
  • 317 pages
Features
  • Great product!

From Publishers Weekly
Making his fiction debut, "Sandford," a Pulitzer Prize-winning journalist using a pseudonym, has taken a stock suspense plot--a dedicated cop pursuing an ingenious serial killer--and dressed it up into the kind of pulse-quickening, irresistibly readable thriller that many of the genre's best-known authors would be proud to call their own. A killer who calls himself the "maddog" has been murdering Minneapolis women, seemingly without pattern or motive. The crimes are linked only by their brutality and by the slayer's "signature": at each scene, he leaves a written rule of crime, such as "Never kill anyone you know," or "Never carry a weapon after it has been used." Into the case comes Lucas Davenport, a policeman with five kills in the line of duty, a surefire sense of how to handle the thirsty media and strong instincts about the killer's psyche. Sandford offers no mystery here; the killer's identity is revealed in the first pages, and the suspense comes in waiting for him or Davenport to slip up. Despite one or two beginner's mistakes (an overly obvious red herring, a character inconsistency), the author knows his territory well; the result is a police procedural as effective as it is brutal. The author's second thriller under his own name (John Camp) will be issued by Holt in September. BOMC featured selection; Mysterious Book Club alternate.
Copyright 1989 Reed Business Information, Inc.

From Library Journal
Lieutenant Lucas Davenport, highly touted killer detective, invents intricate video games that he sells for cash. Called in to aid the Minneapolis team scrambling to stop a psychopathic serial woman-slayer, Lucas almost meets his match. The self-styled "mad dog" murderer views his rape/stabbings as a game as well, setting up obstacles for the police, carefully selecting his victims, and priding himself on clever moves. Despite his largely deja vu plot, debut novelist Sandford ( also the author of The Fools Run due from Holt in September under the name John Camp; see Prepub Alert, LJ 4/1/89) delivers tense action, chilling excitement, and thrilling suspense. Fast-moving prose and romantic sidelines add a little zest, too. BOMC featured selection.
Copyright 1989 Reed Business Information, Inc.

Review
Praise for John Sandford’s Prey novels
 
“Relentlessly swift...genuinely suspenseful...excellent.”—Los Angeles Times
 
“Sandford is a writer in control of his craft.”—Chicago Sun-Times
 
“Excellent...compelling...everything works.”—USA Today
 
“Grip-you-by-the-throat thrills...a hell of a ride.”—Houston Chronicle
 
“Crackling, page-turning tension...great scary fun.”—The New York Daily News
 
“Enough pulse-pounding, page-turning excitement to keep you up way past bedtime.”—Minneapolis Star Tribune
 
“One of the most engaging characters in contemporary fiction.”—Detroit News
 
“Positively chilling.”—St. Petersburg Times
 
“Just right for fans of The Silence of the Lambs.”—Booklist
 
“One of the most horrible villains this side of Hannibal.”—Richmond Times-Dispatch
 
 “Ice-pick chills...excruciatingly tense...a double-pumped roundhouse of a thriller.”—Kirkus Reviews

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0 of 0 people found the following review helpful.
It's easy to see how this novel kicked off such a successful series
By Mal Warwick
After reading (and reviewing here) 10 novels in John Sandford‘s two long-running series featuring Lucas Davenport and Virgil Flowers, which all told now number 34 and counting, I thought it would be amusing to turn back the clock to the very first book in the Davenport series, Rules of Prey. I was not disappointed.

A serial killer makes the “rules”

The first surprise in this series about a cop who always gains the upper hand is that the “rules” of the title are not Davenport’s creation but the taunting challenges of a twisted serial killer. Davenport, a detective lieutenant in the Minneapolis Police Department, has already achieved a reputation as the smartest detective in town. (His senior job at the Minnesota Bureau of Criminal Apprehension lies somewhere in his future.) Davenport has a wide network of informants throughout the city, gained during years as a vice cop, and the chief of police holds him in high esteem. He seems to get whatever he wants — but it’s not enough to catch the brutal serial murderer who leaves numbered notes on his victims spelling out the “rules” he follows to avoid capture.

How a serial hero came to be

In an introduction to the Kindle edition, Sandford tells the diverting tale of how he turned to writing fiction to escape his increasingly tedious work as a newspaper reporter. (NB: he was no slouch. Sandford had won a Pulitzer Prize for Feature Writing.) Rules of Prey was actually his second novel. He wrote it after his agent suggested, having sold his first, that he might be able to earn a living writing crime fiction. However, Sandford notes, “When I wrote Rules, it never really occurred to me that this one guy, Lucas Davenport, was going to be a second career for me.” But it’s not hard to see how this superior murder mystery gained the success on which he could build that career.

The Lucas Davenport in Rules of Prey bears some resemblance to the more mature man who appears in the later novels, but there are differences. Here, Davenport beds practically every attractive woman who crosses his path, quite in contrast to the securely married man of the later novels. He is also a bad-ass, and when he breaks the rules, it’s not just to wave a fist at feckless bureaucrats but to act out in ways that should get him arrested. As Sandford notes, “Cops don’t act like Lucas Davenport [in Rules of Prey] — they’d be fired or even imprisoned if they did. They aren’t rich, they don’t drive Porsches, most could give a rat’s ass about fashion. Lucas Davenport does all that.” However, though he does already drive a Porsche, Davenport in Rules is working hard, nights and weekends, to earn the fortune that gives him the independence he flaunts in the later novels.

0 of 0 people found the following review helpful.
Fast paced, hard to put down
By G. Mcleod
I picked up a paperback version of Mind Prey some time ago. I was impressed. That led me to look for other books in the series. Starting with the first in the series, I was not disappointed. Sandford begins his novels with enough of a 'hook' to make the reader continue past a large number of characters at the outset. His word pictures put the reader in the story location, and his character descriptions make them very real. The bad guys are really bad, but definitely not shallow. The insight into a deranged killer's mind and actions is troubling. Detective Lucas Davenport is a very different kind of cop. Like the hero we wish were really out there somewhere. His method of dealing with crime tends more toward Justice than being restrained by the law. The author's depiction of the news media (although that was his career) is unfortunately accurate. The title, Rules of Prey, is accurate. The sadistic killer is brilliant, and follows rules to murder his victims. Lucas Davenport must detremine the rules and attempt to stop the serial killer. Dialogue is true to form for each character, with occasional bits of 'humor' added.

0 of 0 people found the following review helpful.
Since it is a whole series I couldn't just start with the latest book (although it interested me the most) so I went back to boo
By Lauren
I was looking for a book to read and the latest of the Davenport books was on amazon's top books last summer. Since it is a whole series I couldn't just start with the latest book (although it interested me the most) so I went back to book #1 and was not disappointed. You get not only Davenport's prospective but the killer's as well which I enjoyed having the dual perspectives. I have yet to read more of the chronicles but I'd really like to someday as I enjoyed this book! If you are into mysteries especially police ones than this is the series for you.

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