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The Genius, by Jesse Kellerman
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A tenant has disappeared in a New York slum, leaving behind strange, original artwork. Gallery owner Ethan Muller can see its brilliance?and money-making potential. When Ethan displays the art, the show attracts the attention of the police. Because the subjects of the pictures look exactly like the victims in a long-cold murder case. Ethan has received a letter saying "stop, stop, stop." And the still-missing genius may be the link to a madman?or the madman himself.
- Sales Rank: #1960878 in Books
- Published on: 2008-04-10
- Released on: 2008-04-10
- Original language: English
- Number of items: 1
- Dimensions: 1.24" h x 6.52" w x 9.32" l, 1.10 pounds
- Binding: Hardcover
- 384 pages
Amazon.com Review
Harlan Coben on The Genius
Harlan Coben is one of the virtuosos of the modern thriller. Each new novel hits the top of bestseller lists across the world, and he has become the first author to sweep the Edgar, Shamus, and Anthony awards. Beginning with his acclaimed Myron Bolitar series (including the recent Promise Me), Coben soon branched out into stand-alone thrillers that have made his name as a master of clockwork suspense, including his latest, Hold Tight, which brings his trademark thrills into the most basic dilemmas of the modern suburban family.
"In the beginning, I behaved badly."
That’s how the uber-talented Jesse Kellerman opens up his newest novel, The Genius, and right away, he has you.
I won’t give you a long plot summary because others will do it better, but briefly: A young art dealer named Ethan Muller manages to get hold of a treasure trove of original art after the artist, an unknown shut-in named Victor Cracke, disappears. The first sign of trouble crops up when a retired cop recognizes one of the figures as being a boy who died some 40 years earlier. Ethan's life spirals out of control from there. Before the story is over, Ethan will learn to question everything about his "wonderful" discovery--as well as his own family's destiny.
Yes, the book is gripping and compelling and Ethan Muller, the narrator, is wonderfully wry company, but what truly separates Kellerman from the pack is his prose. Simply put, he is a wonderful writer. He has the ability to make everything seem, well, true. Every scene has that ring of authenticity that’s so elusive in fiction. I bought everything that Ethan did--and loved the flashbacks showing how the Muller family went from poor immigrants to real-estate tycoons.
I love books where past crimes will not stay buried. The web of deceit in The Genius stretches back four decades, but it is still claiming victims. Jesse Kellerman tightens the noose slowly, and we his readers can do nothing but turn the pages.
I have been a fan since his debut, Sunstroke, but he's getting better and better. If you've already read Jesse Kellerman, don't waste anymore time reading this review. If you haven't yet discovered his work, The Genius is the place to begin--and not a bad description of the author.
From Publishers Weekly
Starred Review. Greed gets Ethan Muller, a 33-year-old Manhattan art dealer, into hot water in Kellerman's superb third stand-alone thriller (after Trouble). When reclusive artist Victor Cracke disappears, Muller winds up taking possession of the boxes and boxes of intense, disturbing drawings that Cracke left behind in his shabby Queens apartment. A favorable New York Times article helps fuel lucrative sales at an exhibit of Cracke's drawings at Muller's Chelsea gallery. Soon, though, Muller starts to receive cryptic, vaguely threatening letters. He also hears from a retired NYPD detective, Lee McGrath, who recognizes the face of one of the boys in a Cracke drawing as belonging to the victim of a 40-year-old unsolved murder. That revelation turns Muller into an amateur detective as he attempts to discover how the dead boy's image—along with those of several other victims—made its way into the pictures. Kellerman has a gift for creating compelling characters as well as for crafting an ingenious plot that grabs the reader and refuses to let go. Author tour. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* Ethan Muller owns an art gallery in Manhattan’s Chelsea; in his world, he’s successful and connected. He acquires a treasure trove of many thousands of phantasmagoric, interlocking drawings created by a recluse who appears to have vanished. Ethan mounts a show that wows the art world, and then a retired NYPD detective tells him that the “cherubs” that form the drawings’ center are the faces of boys murdered some 40 years before, crimes that were never solved. Ethan is drawn into the detective’s search for the killer, and the resolution of the mystery is closer to home than he can imagine. From its first hip, cynical, snarky, confessional pages, this deftly plotted novel rivets the reader. It’s a mystery, but like the best crime fiction, it is much more. It’s a family saga of penniless German Jewish immigrants whose toil and determination make them American royals. It’s a meditation on loneliness, genius, and the line between genius and madness. And it’s a knowing, ironic, and at times, howlingly funny take on the art world. Kellerman, son of best-selling authors Jonathan and Faye, is a playwright, and he has a playwright’s gift for creating fully fleshed, complex characters with distinctive voices. A must-buy. --Thomas Gaughan
Most helpful customer reviews
29 of 30 people found the following review helpful.
This Novel is Really Terrific
By Thriller Lover
THE GENIUS is a very impressive effort by Jesse Kellerman. This book is a highly effective suspense novel, but the quality of the prose is strong enough to satisfy most fans of literary fiction. I read a lot of suspense fiction, and this is one of the best novels I've read this year.
The main character of THE GENIUS is a young, struggling art dealer named Ethan Muller. The novel opens with Muller discovering a large trove of artwork by an unknown, reclusive genius named Victor Cracke. Cracke has disappeared mysteriously, and Muller ends up taking the artwork for himself and his gallery. He mounts a successful show of the artwork, only to discover that Cracke has a hidden, dangerous past -- a past which may involve Muller himself.
THE GENIUS is very well-writen, a genuine literary thriller. Kellerman has matured into a really effective writer, and he does a superb job describing the New York contemporary art scene. All the characterization in this book is first-rate, and the dialogue is sharp and fun. The plot is also gripping, and I kept turning the pages, always interested in what was about to happen next.
The protagonist of this book isn't entirely entirely likable, which may turn off some readers. But if you enjoy the complex characterization of authors like Colin Harrison or Laura Lippman, you will find much to admire in THE GENIUS.
I wasn't a fan of Kellerman's listless first novel, SUNSTROKE, but this novel has converted me. If Kellerman can write novels like THE GENIUS before the age of 30, I can't wait to see what he will be producing over the next decade, as his talent matures even further.
Highly recommended.
25 of 26 people found the following review helpful.
Ambitious effort: More family saga than thriller though
By J. Norburn
I have mixed feelings about this novel. I wasn't terribly impressed by Kellerman's debut novel Sunburn and I really disliked his sophomore effort Trouble. Kellerman's third novel is ambitious. I especially appreciate that it deviates from conventional crime novel formulas. In fact, the solving of a series of 40 year old child murders is secondary. The Genius, first and foremost, is a family saga. At its heart, it's the story of a cold and distant father trying to reconnect with his estranged son.
The catch is that readers who expect action, suspense, and page turning thrills may be disappointed. I admire the fact that Kellerman doesn't make criminal investigation exciting. It's tedious work. There is no `big shoot out' or car chase to pump up the reader's adrenaline. Instead, evidence is collected, an arrest is made. It's pretty routine stuff - just like real life.
Kellerman does a good job with character development. As mentioned before, this is really a character driven family saga, not a plot driven thriller. I admire that Kellerman doesn't feel compelled to make his characters especially likeable. Ethan, our hero, is actually a pretentious self absorbed (insert your own expletive here); certainly not the type of character that an author can build a franchise around. I didn't hate Ethan, but he did grate on my nerves from time to time (notably when he makes a rather whiny phone call to an Assistant DA). The characters in this novel are fully realized imperfect human beings. Unfortunately, they can be a little annoying at times.
Kellerman sets up an intriguing premise (a collection of drawings are discovered in a vacant apartment and when some of the drawings are displayed in a gallery, it is discovered that the drawings include the faces of five murdered children) but by its mid point, the novel starts to lose some of its momentum. From a suspense novel perspective, the novel plods along rather predictably and then resolves itself in rather anticlimactic fashion. While on some level this is admirable, it isn't fully satisfying as entertainment. The family saga portions of the novel (the so-called interludes) are moderately compelling, but not strong enough to raise the novel above a sturdy 3 star rating from me.
I appreciate the effort Kellerman has made with this novel. I suspect that the author may transition soon out of genre fiction as he seems much more interested in exploring characters than building suspense. Definitely his best novel to date. I'd like to see him create a character that doesn't irritate me though.
13 of 14 people found the following review helpful.
A good read-satisfying to the last word!
By DS in SFO
I attended a book signing with Kellerman when this book was introduced. I had not read his prior books
so it was only by chance that I stopped into the bookstore and Jesse Kellerman was there. He was speaking
to the assembled customers about how he was inspired by the Henry Darger case, so I do not think he makes any apologies for that inspiration, but his take on the story is totally different.
Unlike the works of Faye Kellerman and Jonathan Kellerman, who have common characters re-appearing in subsequent novels, Jess Kellerman's main character is more or less the common man who has a very strange experience - then goes back to being a common man, all the wiser.
Not that Ethan Mueller is actually all that common, being the son of a very wealthy man, but he isn't a detective or had any experience with solving a crime.
The story almost reads like a script. Lots of dialog and it drew me into the story immediately. There is so much going on that as I approached the end, I was afraid all the loose ends would not be tied up in the remaining pages. Don't you just hate reading a great book and then it bombs at the end?
"The Genius" doesn't let you down. To the last word, I enjoyed not only the story and the pace but the word selections like getting up from a taxi seat as "pulling away from sticky vinyl" The pace is good, the story is very interesting and I finished reading feeling like it was a very good read.
I am not sure I will read Kellerman's earlier books, since this one was very satisfying and I do think he is probably getting better and better. He mentioned that his publisher wants a book every 12 months, so I will wait for the next one.
Fascinating to hear about how Jesse Kellerman approaches his work. A very bright, disciplined young man - very approachable, and not at all a self-important person. A lot like the humble character in his book.
I am giving this my highest rating because I liked this book...
..and so many best sellers deserve less.
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