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Maxine McCoy has made it. She has overcome the odds she faced as a black woman from a working-class Philadelphia neighborhood to become a successful television producer in Los Angeles. She loves her hardworking, ambitious husband and is pregnant with her first child. She does worry, though, that the shows she produces are of no social value. But even this concern drops away when she receives a phone call from the caretaker of her seventy-year-old grandmother and learns she has to return to Philadelphia. Orphaned at an early age, Maxine grew up with her grandmother Lindy, a singing star. Lindy is now a smoking, drinking, embittered women whose glorious voice has atrophied from disuse, and the house that used to swing with laughter and music is dim and lifeless. Lindy's once striving neighborhood has become a blighted, crime-infested area. Yet after a few days there, Maxine realizes that Lindy and Sydenham Street itself have been the source of her own strength and success, and she is moved to help both reclaim their glory. Bebe Moore Campbell's writing is "clean and clear," said The Washington Post Book World. "Her emotions run hot, but her most important characteristic is uncompromising intelligence coupled with a perfectionist's eye for detail." With lyrical prose, rich humor, and keen insight, she creates a moving story of hope and redemption, of the faith and commitment that can make any comeback possible.
- Sales Rank: #1646742 in Books
- Published on: 1998-02-16
- Released on: 1998-02-16
- Original language: English
- Number of items: 1
- Dimensions: 9.28" h x 1.31" w x 6.38" l, 1.60 pounds
- Binding: Hardcover
- 372 pages
- Forgiveness
From School Library Journal
YA-Maxine McCoy is a successful television producer in L.A., but half of her heart is back on Sutherland Street in a decaying section of Philadelphia. There, her grandmother Lindy, a former blues singer, has recovered from a small stroke but, against doctor's orders, is drinking and smoking far too much. Maxine's TV show is slipping in the ratings, but she finds time for a trip to Philly to check on Lindy, who raised her, and needs help, even if she won't admit it. Maxine needs help too; her husband has had a brief affair that destroyed her trust in him. She is pregnant and, after one miscarriage, is afraid for her good fortune. Lindy is depressed and bored, and when she is invited to sing in a music festival, she is both elated and fearful. A trio of unforgettable musicians help her get ready for her last performance. This is Maxine's story, the story of a black woman who has made it big but hasn't forgotten her roots, or let success overshadow her loving, caring nature. It is also Lindy's story; she yearns for one more chance, but finally realizes she needs help, and accepts it. The minor characters are also drawn with compassion and humor. YAs will find dynamic role models in these strong, black women and the men who love them.
Molly Connally, Kings Park Library, Fairfax County, VA
Copyright 1999 Reed Business Information, Inc.
From Library Journal
At 37, African American Maxine McCoy's plate is full. She's newly pregnant and fearful of another miscarriage, trying to rebuild trust in her unfaithful but regretful husband and worried about the grandmother who raised her and still lives in a failing north Philadelphia neighborhood after suffering a small stroke. As executive producer of a television talk show, Maxine has nurtured the host and raised ratings, but cancellation looms and the pending sweeps are critical. Then her grandmother's paid companion leaves, and Maxine goes to her beloved grandma, once a renowned singer who's lost both her zest for living and her singing voice. Struggling to meet all her commitments, Maxine is torn between her mentor's admonition to follow the money and her growing desire to follow her heart. In her third novel, Campbell (Brothers and Sisters, LJ 8/94) dwells less on racial issues than on human problems, particularly those faced by modern women working outside the home. Campbell tells a fine feel-good story, and her audience is bound to embrace it. [BOMC Main selection; Previewed in Prepub Alert, LJ 9/1/97.]?Michele Leber, Fairfax Cty. P.L., Va.
-?Michele Leber, Fairfax Cty. P.L., Va.
Copyright 1998 Reed Business Information, Inc.
From Kirkus Reviews
Campbell (Brothers and Sisters, 1994, etc.) continues her thoughtful exploration of contemporary black life, this time featuring a female TV producer torn between her upwardly mobile L.A. existence and the crumbling Philadelphia neighborhood where she grew up. Maxine McCoy, married, pregnant, and the executive producer of the high-profile Ted Graham Show, has to juggle her talk show responsibilities with caretaking, at long-distance, her aging grandmother, the once well-known singer Lindy Walker. When Maxine gets word that Pearl, the friend who's been watching over Lindy since the old woman's mild stroke, is going back south, Maxine has to take off during sweeps week, risking the displeasure of her colleagues, to tend to her grandmother in Philadelphia. Her first impulse is to move Lindy into an assisted-living center. But Lindy will have nothing to do with it. When Maxine's own mother, Millicent, died, Lindy took Maxine in, eventually giving up her singing career for the financial security of practical nursing. Lindy vowed to do for her granddaughter what she was unable or unwilling to do for her own daughter Millicent. Now, after spending time in her old neighborhood, Maxine realizes that, while drugs and crime have infiltrated Lindy's block, the sense of community has remained intact. And as she struggles to put the elements of her own life into perspectiveher feelings about work, about her unpredictable husband, and about prospective motherhoodshe discovers the redeeming quality of community involvement and the healing that comes from a sense of purpose. Lindy's own salvation ultimately comes from getting back in touch with her music, whence the novel's title. Rich and fluid storytelling, peopled with believably illuminating characters. (First serial to Essence; Book-of-the-Month Club main selection; author tour) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Singing in the Comeback Choir
By N. Tellect
This was a great read for me and I couldn't wait to pass it on to my friend. The story was attention grabbing from the first chapter to the last. As a Philadelphia Native, I appreciated it even more! The book was in great condidtion when I got it and I now trust ordering from Amazon.com in the future.
0 of 1 people found the following review helpful.
An excellent and fast read
By A Customer
I tend to read more thriller and suspense. Once in a while I change over for a little more depth. This was not too involved but gave me a real nice lift. I was quite impressed. Bebe's book are all great so far. Thank you Bebe...
2 of 2 people found the following review helpful.
Thoughtful and timely examination of very important issues
By A Customer
Maxine Lott McCoy, at thirtysomething, is not only successful in her chosen career as the executive producer of a television talk show, but has a husband, Satchel, and a baby on the way. But, there's trouble in the promised land. Devoted to her grandmother, Lindy Walker, whom Maxine believes sacrificed her career as a blues singer to raise Maxine after her mother died, Maxine is called away from Hollywood to help her grandmother at a critical time in the television show's production schedule. Lindy, at 76, already has had a near-stroke and appears to be ready to succumb to the brutal forces of aging, drinking, and smoking. Lindy's life, the future of the show, and Maxine's career in television hang in the balance.
As the story unfolds, it is revealed that Maxine also is struggling with the complex emotions resulting from her discovery of a brief affair that Satchel had already ended. Satchel is determined to regain her trust and the "hardcore" love they had before his affair. Maxine must decide whether it is possible for the two of them to rebuild a life for themselves and for their unborn child which will make her want to take the emotional risks that forgiving Satchel requires of her.
While trying to help Lindy, Maxine can no longer ignore the deteriorated state of her old neighborhood in Philadelphia - the one from which she thought that she had escaped - and the destructive conditions and social forces - such as illiteracy, the absence of a variety of desirable role models and mentors for the youth, and drugs - which make it unlikely that the new generation of children growing up on her old block will achieve the kinds of successes that she and Satchel have had. A former public school teacher, Maxine begins to feel deeply within herself a conflict between her lingering desire to utilize her talents to help Lindy, the children and others in her community and the powerful attraction of the money, prestige, and blinding glamour of television, where even a slight drop in Nielsen ratings can result in the withdrawal of the welcome mat. Even if she were to return to teaching, she is not certain that she can make a difference in their lives, given all of their other problems.
This book is about having the vision to see beyond the flaws in our loved ones and in our communities and then finding the courage to commit ourselves to fostering their growth until they flourish, instead of abandoning them for what appears to be a better life for ourselves. In the course of dealing with these issues, Maxine decides who and what is really essential to her life, and shapes a more personal definition of success for herself.
Campbell's very readable prose is interspersed with imagery that reveals a clever wit; many readers will recognize the "Universal All-Purpose Negro Two-Step" and the grandmothers who are "fluent in English and Leather Belt" from their own lives. I enjoyed this book and think that most thoughtful readers will, too.
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