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Breakpoint, by Richard A. Clarke
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Against All Enemies warned about how we were conducting the war against terror. The Scorpion's Gate demonstrated what could happen. And now America's preeminent counterterrorism expert and #1 bestselling author shows us all . . .hat might come next.
The global village-an intricately intertwined network of technology that binds together the world's economies, governments, and communication systems. So large, so vital-and so fragile. Now a sophisticated group is seeking to "disconnect the globe"-destroying computer grids, communications satellites, Internet cable centers, biotech firms. Hard to do? If only that were so.
Quickly, a dedicated team of men and women assembles to try to track the group down, searching through right-wing militias and Russian organized crime, Jihadist terrorists and enemy nation-states. But the attacks are coming more swiftly now, and growing in destructiveness. Soon, they will reach the breakpoint- and then there may be nothing anybody can do.
Reviewers everywhere praised the suspense and pace of The Scorpion's Gate, the vivid depictions of war, espionage, and bureaucracy, but most of all they hailed its authenticity. "Unlike most novelists, the man has been there and done that," said The New York Times Book Review. "Some of us," added The Washington Post, "have learned to listen when Richard A. Clarke has something to say." And we'd better hope they're listening now.
- Sales Rank: #1658622 in Books
- Brand: G. P. Putnam's Sons
- Published on: 2007-01-16
- Released on: 2007-01-16
- Original language: English
- Number of items: 1
- Dimensions: 9.28" h x 1.14" w x 6.26" l,
- Binding: Hardcover
- 309 pages
- Great product!
Amazon.com Review
In Against All Enemies, Richard Clarke warned about how we were conducting the war against terror. In his bestselling first novel, The Scorpion's Gate, he demonstrated what could happen. And now, in Breakpoint, America's preeminent counterterrorism expert and #1 bestselling author shows us all what might come next.
The global village--an intricately intertwined network of technology that binds together the world's economies, governments, and communication systems. So large, so vital--and so fragile. Now a sophisticated group is seeking to "disconnect the globe"--destroying computer grids, communications satellites, Internet cable centers, biotech firms. Hard to do? If only that were so.
Quickly, a dedicated team of men and women assembles to try to track the group down, searching through right-wing militias and Russian organized crime, Jihadist terrorists and enemy nation-states. But the attacks are coming more swiftly now, and growing in destructiveness. Soon, they will reach the breakpoint--and then there may be nothing anybody can do.
In an exclusive video message for Amazon.com customers, Richard Clarke introduces his new novel, and explains why, as he says, "sometimes you can tell more truth through fiction":
Reviewers everywhere praised the suspense and pace of The Scorpion's Gate, the vivid depictions of war, espionage, and bureaucracy, but most of all they hailed its authenticity. "Unlike most novelists, the man has been there and done that," said The New York Times Book Review. "Some of us," added The Washington Post, "have learned to listen when Richard A. Clarke has something to say." And we'd better hope they're listening now.
From Publishers Weekly
Veteran counterterrorism official Clarke, author of Against All Enemies: Inside America's War on Terror and the novel The Scorpion's Gate, proves once again that authenticity, insider information and top-secret access artfully applied trumps fancy writing with this cutting-edge, nail-biter techno-thriller set in 2012. Clarke's intriguing plot centers on the development of Living Software, a massive computer program designed to travel throughout the Internet correcting computer errors and creating software without any help or oversight from human beings. Volunteers would be connected to this program in a project aimed at reverse engineering the human brain. Added to this fascinating mix is the Transhumanist movement, whose labs grow designer children with extra chromosomes. Mysterious entities who would deny this progress are blowing up government Internet connections, killing scientists and destroying the labs participating in this research. Savvy readers will ignore the evidence that points to the obvious suspect, but still be surprised at the identity of the perpetrator when all is revealed. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
In the year 2012, a clandestine team is sent to investigate the sabotage of U.S. cyberspace connections in remote outposts. The team: Susan Connor, a Harvard graduate and national security agent; Jimmy Foley, an NYPD detective; and Soxster, a wiseass computer hacker. Within days, terrorists destroy technology targets, disconnecting the U.S. from Internet communications; robotic personal assistants jump out of windows after having downloaded their owners' personal information onto the Internet; and military technology turns against its users in a secret desert military installation. The escalating attacks on American technology heighten political tensions and pressure on the president to react--but against whom? As high-powered American and European figures learn that the "Global Village is held together by a very few, fragile strands," suspicion turns to the Chinese. Connor, Foley, and Soxster race to find the villain before the U.S. goes to war against China. Clarke's second novel employs a dizzying array of characters and locales, from Boston to Beijing to the Bahamas. In the author notes, Clarke, a former national security advisor to four presidents, recalls his first novel, The Scorpion's Gate (2005), a futuristic look at oil and geopolitics that was not meant to be predictive but turned out to presage recent developments in the Persian Gulf region. By contrast, Clarke declares this novel is "meant to be predictive" about technology and the promise--or threat--to human genetics. That assertion will boost interest in this fast-paced and fascinating novel. Vanessa Bush
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
63 of 66 people found the following review helpful.
Fascinating World View of Technology
By Mel Odom
Richard Clarke has just shot to the top of my list of people I'd love to interview. In only three books, one nonfiction and two fiction, he's grabbed my attention and paranoia about all the scientific and technological changes that are going on -- and that will be going on -- in the world.
BREAKPOINT isn't the best writing to hit fiction because there are writers who paint pictures and characters with words better, but there's no one I can think of who writes with the easy authority Clarke brings to his novel. The author has been involved in Washington politics since 1973, and been involved in the clandestine evolvement of scientific advances with DARPA and other think-tank institutes that work on defense technologies.
The novel centers on a terrorist threat against the United States that starts with the destruction of communications nodes that allow the internet to work. With those avenues shut down, banking, investing, business dealings, and even political diplomacy get crippled in a matter of hours. Clarke points out how pervasive the emerging technology is, and how everyone seems to have integrated it into their lives. Presented even in fiction, this is truly scary stuff and I found myself thinking about the possibilities as much as the plot and characters.
Two crack agents of the Intelligence Analysis Center are assigned to ferret out the truth. Although almost paper-thin characters, Jimmy Foley and Susan Connor pull the reader through the frantic chase for the truth behind the attacks. There's just enough insight behind the characters to flesh them out, but not get in the way of the plot. BREAKPOINT is about technology, not people, and Clarke keeps his focus sharply on delivering a summation of what's out there in the world that's just out of sight, and to what ends those things might go.
The plot is straightforward, though there are enough surprises to keep the interest there, but Clarke's views on what's going to happen through the Transhumanist Movement and the overload of technology on old communications systems are the best.
I found myself reading sections of the book over and over again, not concerning characters, action, or plot, but about the information Clarke deals out with the no-nonsense rapidity of a blackjack dealer. He shows you the cards, but you have to form your own opinion about what you think, though Clarke isn't shy about suggesting what you should pay attention to and probably think.
Clarke is a writer a cut above most technology thriller writers. He's a man who has been behind the scenes and witnessed all of these things he writes about. There's a credibility there that I haven't found in anyone else's writing. And Clarke writes well enough that readers will understand easily what he's getting at.
I'm looking forward to more. This isn't just entertainment. Clarke is providing and education as well. Read the book and prepare to learn a lot of scary information that's all true.
18 of 19 people found the following review helpful.
Interesting Story
By RicoTX
I didn't read Clarke's earlier novel, but I found Breakpoint to be entertaining. I noticed some people complained about his writing style, and I admit it's not perfect, but I read a book for the story and the entertainment value. Breakpoint is indeed a very fast read, and I thought he did a great job tying in new and emerging technologies to create a story that is set in the future, but is imaginable. Will the book win a literary award? Not even close. Is the book entertaining? Absolutely. The characters are not deep, and you will not feel an emotional tie to them, but the pace is fast and the story is interesting.
17 of 18 people found the following review helpful.
A Workmanlike Techno-Thriller, Quickly and Easily Consumed
By Steve Koss
A series of nearly simultaneous bombings knock out Internet communications between North America and Europe. A few days later, three major communications satellites suddenly spiral out of orbit, lost forever. A supercomputer data center, one of the major control nodes for the Globegrid project about to come on-line, is blown up. Another Globegrid computer center is attacked, and hackers cause the entire United States power grid west of the Mississippi to shut down. Evidence points to China as the power behind these attacks on the American technology infrastructure, and the Pentagon is happy to oblige this view. While the FBI, the CIA, and the rest of the country's massive investigative resources struggle and fumble to find the cause, a black, female junior intelligence analyst, an Irish cop from New York City, and a good-hearted hacker improbably outwit them all and discover the truth.
There are three ways to view (and review) BREAKPOINT, Richard Clarke's second foray into the world of science-based fiction. First, as a potboiling techno-thriller and diverting airplane read, BREAKPOINT succeeds moderately well, although somewhat like Robert Ludlum with a pseudo-geeky technological edge, or perhaps Tom Clancy mixed with Michael Crichton (whose book PREY Clarke obliquely references), both laced with amphetamines. Still, as a fast and escapist read, Clarke delivers a serviceable if ultimately predictable story (I guessed the "answer" nearly 100 pages from the end of the book) - give it a 4 when viewed from this perspective.
Second, we can look at BREAKPOINT as a sort of jeremiad, a catalog of warnings about how fragile and vulnerable our networked world has become. It can also be viewed as a lesson on science gone out of control, surpassing the limits of the culture and legal system to accommodate the radical changes looming on the technological horizon. Mr. Clarke gives us a veritable laundry list of technological nightmares: impenetrable and monolithic self-correcting software, massively global networks beyond human ability to control, Internet-connected devices that invade personal privacy and are filled with software time bombs, Trojan horses, and back doors, genetic engineering to enhance human characteristics (even adding two chromosomes to the human gene!), pharmaceuticals for memory enhancement, laser missiles --pretty much everything this side of global warming (although even that is referenced). On this score, Mr. Clarke is little more than an updated version of that classic 1970 sci-fi movie, Colossus: The Forbin Project (itself later updated by The Terminator and the Star Trek movies featuring the Borg, among others). Give BREAKPOINT a 3 on this angle. Mr. Clarke is thorough to the point of technological overload, but in an odd way, the overload is both instructive and informative (albeit sketchily).
Finally, BREAKPOINT can be considered as a literary work, even respecting the lower expectations of this genre. On that score, the book merits a gentleman's 2. The writing is perfunctory and predictable, the sort one would expect from a career analyst who has little idea how to move from writing white papers to writing fiction. Several grammatical errors are annoyingly evident, as are the sloppy misspellings (twice) of Guangzhou as Guangzho, references to what is likely the Chinese city of Dalian as Dalin, and the incorrect identification of the movie Gattaca as Gattica. The main characters are thinly developed and stereotypical - the Irish NYC cop, the Russian Mafioso, the Chinese diplomat/spy, the American military leaders and Presidential cabinet. Mr. Clarke manages just two exceptions, positive in the case of the hacker Soxster (who actually exhibits a moderately distinctive personality) and negative in the case of the heroine, Susan Connor. Susan deserves special mention here, being without doubt the whitest black person ever captured in a published novel (she makes Colin Powell look like P. Diddy). BREAKPOINT rushes from one location to another, capturing none of them. At the same time, in an America that is being systemically technologically kneecapped according to the story line, there is no sense of citizen dismay or dislocation, no sense of media outrage or despair, no sense that things are any worse than a blown fuse in a private home.
On balance, I rate BREAKTHROUGH at 3 stars, about average for its genre but less than what I might have hoped for from Mr. Clarke. As I read this book, I could not help thinking that Mr. Clarke with his high-profile platform might have been the only reason this book was published - the same book submitted by an unknown author would probably have never seen the light of day. C'est la vie.
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