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Portrait of a Killer: Jack the Ripper--Case Closed, by Patricia Cornwell
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The number-one New York Times-bestselling novelist Patricia Cornwell is known the world over for her brilliant storytelling, the courage of her characters, and the state-of-the-art forensic methods they employ.
In this headline-making new work of nonfiction, Cornwell turns her trademark skills for meticulous research and scientific expertise on one of the most chilling cases of serial murder in the history of crime-the slayings of Jack the Ripper that terrorized 1880s London. With the masterful intuition into the criminal mind that has informed her novels, Cornwell digs deeper into the case than any detective before her-and reveals the true identity of this elusive madman.
Enlisting the help of forensic experts, Cornwell examines all the physical evidence available: thousands of documents and reports, fingerprints, crime-scene photographs, original etchings and paintings, items of clothing, artists' paraphernalia, and traces of DNA. Her unavoidable conclusion: Jack the Ripper was none other than a respected painter of his day, an artist now collected by some of the world's finest museums.
- Sales Rank: #109263 in Books
- Brand: Brand: G. P. Putnam's Sons
- Published on: 2002-11-11
- Released on: 2002-11-11
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 1.53" h x 6.39" w x 9.55" l, 3.00 pounds
- Binding: Hardcover
- 400 pages
- Patricia Cornwell
- Mystery
- thriller
From Publishers Weekly
Jack the Ripper was renowned artist Walter Sickert (1860-1942) according to Cornwell, in case anyone hasn't yet heard. The evidence Cornwell accumulates toward that conclusion in this brilliant, personal, gripping book is very strong, and will persuade many. In May 2001, Cornwell took a tour of Scotland Yard that interested her in the Ripper case, and in Sickert as a suspect. A look at Sickert's "violent" paintings sealed her interest, and she became determined to apply, for the first time ever, modern investigatory and forensic techniques to the crimes that horrified London more than 100 years ago. The book's narrative is complex, as Cornwell details her emotional involvement in the case; re-creates life in Victorian times, particularly in the late 1880s, and especially the cruel existence of the London poor; offers expertly observed scenarios of how, based on the evidence, the killings occurred and the subsequent investigations were conducted; explains what was found by the team of experts she hired; and gives a psycho-biography of Sickert. The book is filled with newsworthy revelations, including the successful use of DNA analysis to establish a link between an envelope mailed by the Ripper and two envelopes used by Sickert. There are also powerful comparisons made between Sickert's drawing style and that of the Ripper; between words and turns of phrases used by both men; and much other circumstantial evidence. Also newsworthy is Cornwell's conclusion that Sickert continued to kill long after the Ripper supposedly lay down his blade, reaping dozens of victims over his long life. Compassionate, intense, superbly argued, fluidly written and impossible to put down, this is the finest and most important true-crime book to date of the 21st century. Main selection of the BOMC, Literary Guild, Mystery Guild and Doubleday Book Club.
Copyright 2002 Reed Business Information, Inc.
From Library Journal
Can truth be stranger than Cornwell's fiction? Here, the best-selling novelist claims to uncover the identity of Jack the Ripper.
Copyright 2002 Reed Business Information, Inc.
From Booklist
This is one of the most talked about books of the currentpublishing season; if you have not heard about it yet, you have notbeen keeping up with book news! Cornwell, author of the popular KayScarpetta mystery series, turns her hand here to nonfiction to explorea subject that recently has thoroughly riveted her attention: noneother than the ultimate in unsolved serial murder cases, that of Jackthe Ripper. Readers will remember that the Ripper plunged London'sEast End into abject terror for a few months in 1888, during whichtime he brutally murdered several prostitutes. Cornwell applied moderninvestigative and forensic techniques to answer the question of theRipper's identity, hardly leaving a single stone unturned in gatheringevidence, which she presents in this absolutely absorbing book. Whowas Jack the Ripper, then? Cornwell points her finger at Impressionistpainter Walter Richard Sickert, and her indictment rests on, amongother things, DNA testing and matching watermarks on envelopes. Sheadeptly sets the whole horrifying story within the tenor of life inVictorian England, and the result is a well-constructed, endlesslyfascinating account that is sure not only to arouse debate but also togenerate considerable demand in the library. Brad Hooper
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
0 of 0 people found the following review helpful.
Mystery Solved - Jack the Ripper Revealed.
By Marti Melville
This is one of my favorite books! Not written in the traditional Patricia Cornwell style, this novel is more along the lines of a documentary than fiction. Ms. Cornwell sets out to prove her theory on who the Ripper was -- and I believe she's done it. Compelling and filled with facts, this novel blends history with actual investigative processes to discover and solve the mystery of Jack the Ripper.
1 of 2 people found the following review helpful.
Cornwell's Case Faulty
By Eric Jeter
Patricia Cornwell's recently released Portrait of a Killer: Jack the Ripper Case Closed claims to have brought closure to the century old Jack the Ripper murders. She stakes her claim on the innumerable number of "coincidences" tying Jack the Ripper to Walter Sickert, a famous British painter. She applies modern forensics, psychological profiling, and DNA sampling to once and for all resolve the identity of Whitechapel's infamous butcher.
Throughout the book, Cornwell's talents as a best-selling fiction writer are evident. Her descriptions of 19th century culture and forensic technology are extraordinarily vivid, with a rich, story-like detail throughout. Biographical sketches, the biting taunts of the Ripper letters, and eye-witness accounts are impressively presented and bring to life the circumstances surrounding the crimes. But little is offered that will supplant a host of other theories on the actual identity of Ripper. Cornwell's logic is faulty and at times self-contradicting. Oversights are common and alternative scenarios that point away from Sickert are either unmentioned or ignored. Contrary evidence is manipulated until it somehow points back to Sickert, and the validity of every point hinges on a profane number of conjectures and speculations, few of which are supported by a single scrap of evidence.
A fuller analysis of the books problems can be found at my web site: ...
5 of 6 people found the following review helpful.
Portrait of a... guy who might or might not have killed.
By ProsaicParadise
Patricia Cornwell's book left me very unimpressed. I have read all her Kay Scarpetta novels, and I don't remember feeling that they were full of holes and fluff, like I felt with this book.
Unfortunately, I feel that instead of doing the research first and making her conclusion based on that research, instead she came to her conclusion and built the research around it. Her psychological "profiling" seems completely fabricated. She takes quotes completely out of context. She refers to artwork and paintings of Sickert's that she doesn't include. The whole book seems like an essay that she had a word count to complete, and she's filling in with alot of fluff because she doesn't have enough meat or real evidence to make her case.As far as the much-ballyhooed DNA evidence, even that wouldn't hold up in court, much less the court of my armchair. Even if it conclusively proved that Sickert's DNA was on a letter that was signed "Jack the Ripper" that couldn't possibly prove that the letter writer was also the murderer.
I'm very disappointed in the book as I thought it would have a much more scholarly feel to it. Probably only dedicated collectors of all things Ripper will want to read this as it probably does, at the very least, bring a few new things to light.
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