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David Crosby, the outspoken founding member of CSNY and The Byrds, turns his wry and unstinting eye to a fascinating, prickly subject: himself.
Known to millions as the trickster poster boy for folkrock utopia and the inspiration for Dennis Hopper's wild-eyed antihero in the film Easy Rider, David Crosby is every bit the quintessential American icon of the counterculture today that he was in the sixties and seventies. Legendary, controversial, beloved, he is never far from the headlines, as the upcoming (Summer 2006) 50-city reunion tour of Crosby, Stills, Nash & Young will demonstrate once again.
Since Then is both a self-skewering look at the twists and turns of an impossibly rich life, and Crosby's confident declaration that it's far too soon for him to don the robe and slippers of Generational Elder. As a two-time inductee into the Rock and Roll Hall of Fame, he has an unparalleled legacy as a singer, songwriter, and musician-and few would object if he were to rest on his laurels. Yet despite Crosby's history of extravagant excess, he's never forgotten his great good fortune, and has never stopped using his enormous gifts in service of both his art and social causes to which he is committed.
This memoir shows the contradictory aspects to a personality whose truth-to-power outspokenness, exuberance, and creativity have made him a great and inspirational artist, yet whose struggles with private demons have resulted in arrests, chronic health issues, and ruined friendships. It discusses frankly the people and events that have drastically altered his definition of "family": raising ten-year-old son Django, with lover/wife/partner, Jan; reuniting with his adult son, musician James Raymond, while Crosby waited in the hospital for a life-saving liver transplant; becoming sperm donor to Melissa Etheridge and Julie Cypher. Above all, it illuminates how, despite a staggering series of personal setbacks-including hepatitis C, liver failure, diabetes, heart attacks, and a crippling motorcycle accident-the music, and the people he loves, keep him young at heart.
- Sales Rank: #771612 in Books
- Published on: 2006-11-07
- Released on: 2006-11-07
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 1.11" h x 6.34" w x 9.26" l,
- Binding: Hardcover
- 352 pages
From Booklist
It's been 18 years since Crosby and Gottlieb's first tome on the former's lurid rock-star life, Long Time Gone (1988), and the Croz hasn't stopped making news. He survived an earthquake and near-death experiences involving a motorcycle, hepatic failure, and arterial disease. He has done exemplary service as a major, major substance abuser who cleaned up; returned to recording and performing with Nash, Stills, and sometimes even Young; been arrested in New York City for possessing a gun and some weed; endured the recovered drug-abuser community's tut-tutting over his "fall" after 16 years' sobriety; and become a celebrity political activist. Less known but well reported here, Crosby lost all his money (his manager-accountant had an investing jones that he slaked with his clients' cash) just as the earthquake hit and a liver transplant loomed. He met a son given up for adoption as an infant in 1961--and formed a new band with him--and then a daughter from another relationship. He and his fellow ex-abuser wife, Jan, finally succeeded in having a child, now 11. His estranged and hermetic older brother died a suicide. He joined a fight (still not over) against a land deal that would put a casino in his backyard. All that, and personal assessments of the popular music biz (interesting) and the political situation (standard so-called lefty ranting, not well informed), with the whole shebang presented in movielike achronology and bolstered by plenty of Crosby acquaintances' interpolated testimonies, makes for a packed but absorbing book. Ray Olson
Copyright © American Library Association. All rights reserved
About the Author
David Crosby, the legendary singer/songwriter/ rock-and-roll bandleader from The Byrds (Bob Dylan's "Mr. Tambourine Man" and the psychedelic classic "Eight Miles High") and the "first initial" of the legendary Crosby, Stills, Nash & Young, is a two-time inductee into the Rock and Roll Hall of Fame. Throughout his career, from its beginnings in the socially conscious burgeoning California folk scene in the early sixties, his surprising views on gun control, his recovery from drug abuse and deteriorating health, and his influence on a whole new generation of folk-oriented singer/songwriters, Crosby has remained an icon of counterculture, an advocate for social responsibility, and a thorn in the side of hypocrites of all stripes.
Carl Gottlieb wrote the screenplay for Jaws, directed by Steven Spielberg; directed the Steve Martin short film The Absent-Minded Waiter, which was nominated for an Academy Award; won an Emmy Award for his work on The Smothers Brothers Comedy Hour; and coauthored Long Time Gone with David Crosby, a New York Times bestseller. Other writing credits include such classic TV sitcoms as All in the Family, Laverne & Shirley, and The Bob Newhart Show.
Most helpful customer reviews
5 of 5 people found the following review helpful.
More Fiction than Fact
By Mountain to Sound
Like David's first autobiography, there is a chorus of voices and writers all chiming in on every point David addresses in his life. It come off as haughty, and makes you wonder why he is so reliant on Carl Gottlieb to tell his story, when Gottlieb does little more than act as the "voice of God" as they say in literary circles. The cacophony of voices and input from everyone who ever crossed paths with David is quite a testimony to his flagrant narcissism.
I have adored David since childhood. I've read his first autobiography, and had issues with his fascination with trying impress the reader with how important he was at the time of insemination: he's a Boston blue blood, descended from the Van Cortland's and the family had lots of old money, trust funds, private schools, and life from the cradle to the Byrds was all a Hollywood story--literally. His father made esoteric documentaries. Wow, he's not trying to paint himself as a commoner, nor a real hippie. Hippie's don't own guns, nor threaten others with them.
I, like many others, was curious how David made it through the liver transplant to skating on a second drug and gun charge. For a guy who "sells" himself as a voice for the masses, sorry the facts don't support the marketing.
Case in point: in the book, David goes to great lengths to explain how his union insurance paid for his transplant, when a quick Google search and a visit to Wikipedia clearly establishes that David is alive at the good graces of Phil Collins. Why the subterfuge? Phil may have requested anonymity, but then why does Phil share the fact in the context of an interview? Lies make the this hippie icon look more like a hardened thug when the author describes how he stuck a .45 into the ribs of a Chateau Marmont bellhop who threatened him, and told him he would kill him. Pete Seeger would have turned his back on the Croz if he knew that.
Additionally, there are too many holes in the narrative. We don't really get to know how he dealt with the transplant...it's a bit paved over. Same with his money issues, and the list is endless. Junkies lie, and I don't know what is truth or fiction. He makes his life story as he goes along.
Fundamentally, when I got near the end and he starts talking about getting popped for having a .45 and an ounce of weed in a bag in a NYC hotel room, I felt like this was the impetus for the book--David is doing damage control. He's trying to spit shine his image as his star flames out. The explanations on both the weed and the gun just sound hollow. Contrived. A lot like the corporate marketing he's spent his life railing against.
The story about his brother's suicide and getting eaten by bears had me ill. What? His one older brother, from whom he learned music, is left to die in the mountains, and David is emotionally removed. Just like a junkie (you can sing that last line to Bob Dylan's, Just like a Woman).
It would have served David better to have written a one page Op/Ed piece in the NYT explaining the weed/gun issue, and marry that to the transplant issue to get his side out, and then let the court of public opinion decide. I didn't appreciate having to read a book that is a lot of frosting and no cake. Well, Crosby collected more of my money, but all I got was a lesson in integrity, or lack thereof.
David Crosby has lost all credibility. It's sad.
0 of 0 people found the following review helpful.
Five Stars
By Maia H.
Great book!
42 of 49 people found the following review helpful.
Great Backstory
By S. Bove
In Aspen Colorado a few years ago at xmas, I came across a poster advertising a concert given by CPR featuring David Crosby. CPR? CSN+/-Y, yes, but...Pevar and Raymond? Hmmm. MUST be sold out. Box office lady: tickets are available. Hmm, doesn't that mean this will suck? "No, its because it's the 23rd and most folks don't show up in Aspen till the 26th, and this concert was a last minute booking, it should be a real treat." I buy two tickets.
Night of the show, sold out, killer crowd, my date bailed due to a dinner party, i gave the other ticket to someone on the street (proves I had no idea what was in store, bc if I had I would have been calling friends all over town), went inside, worried, what will Mr. Crosby's voice sound like these days. Didn't he almost die about ten times over the past years, and who are these guys he's playing with?
1st thing, Pevar is playing with the warm up band, and he's just amazing even though I don't know its him till intermisson. Then the show. David emerges...a white haired sage from a medieval movie, his buddha's "Hello" as he walks onto stage just somehow instantly heartwarming. There's a big drum set, a bass player, a young keyboardist. Great energy in the room. Then, an explosion of pure voices in the high altitude air, jazzy, complex, rich music, David's voice faltering every once in a while due to the altitude (8,000 feet), but lent a clarity in the upper registers that I've never heard before. The drummer is killer. The bass player solid & perfect. Pevar, spectacular. And the keyboardist is James Raymond, Crosby's son (!?) -- and there is a palpable loving energy between them. Song after amazing song, one of the nicest musical nights of my life. All a suprise.
That evening was a gateway for me into the world of Neil Young's solo work, the many CPR recordings, a few more CPR concerts, a benefit concert with Crosby/Nash/Raymond/Pevar in Solvang, and all the non-hit CSN/Y stuff I'd never really listened to. But ever since then, I've been wondering: how did David have a son by a different last name and what is their relationship beyond their wondeful musical collaboration? How did he find Pevar? Who is Pevar? How did drummer Stevie Stanislau find them? What is up with Neil Young? What complex and amazing story was playing out on that stage that made it so magical? Was it magical, or was I just imagining it?
Well, for me, this book is a continuation of the gift I received that evening. It explains the remarkable story of David's recent years picking up around the Jan. 1994 Northridge earthquake. Like Crosby's music, the life is complex, authentic, maddening, hilarious, uplifting, and unimaginable -- which is why you have to read the book. So many great moments and stories. So interesting to watch this man evolve and wear his life's mantle as a messenger/sentinel with such humor/wit/grace through triumph and tragedy alike. So wonderful to get to know all the incredible people in his life. I loved it!
Ps: The story about how, recently reuintied, James plays David a tape of a song he composed to accompany some lyrics David tossed to him about Jim Morrison...David goes to Jame's house and they listen to the tape in James' beat up pick up truck b/c his house stereo isn't as good while his wife watches them, heart in throat, from inside the house, and David is blown away and realizing his son is a very gifted man who he really wants to work with alot more. Well, that was one of the sweetest things I've ever read.
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